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Blood of the Demon #1
Publisher: DC Comics
Plotter/Pencils:
John Byrne
Dialog:
Will Pfeifer
Inker: Nekros
Ok I’ll admit it one of my guilty pleasures in the 90s was
the Demon series put out by DC comics. While I know it wasn’t
really true to the characters origins, I still enjoyed it. When
I heard that Etrigan was coming back, I thought it was a good idea,
but when I heard how, I got kind of excited about it. John Byrne
was to do the plots and the pencils on the issues while Will Pfeifer
was to do the dialog. Having enjoyed Byrne since I started collecting
and truly enjoyed the work of Will Pfeifer (Aquaman, Swamp Thing,
H.E.R.O.), I thought this couldn’t miss. This first issue
of the series gives the reader a good background and brief history
of the Demon, Etrigan and his ties to Camelot. In Gotham City, Jason
Blood (the demon’s human shell) is being tortured, and his
tormentors are demanding to know where Etrigan is. They do not know
about the special tie between Blood and the demon. When Blood finally
agrees to give them the information the loosen his ties and they
are about to find out where the demon resides, but as the transformation
begins to take place, one of the minions “kills” Blood
and his body is disposed of. They are unaware of the change that
was taking place or that Blood may not in fact be dead. In the morgue
the body awakes and makes his way back to his friends Randu and
Anjeli to help find out what is going on. It seems that Blood did
not die only because he was in mid transformation and appears to
be stuck that way. Shortly Jason reverts to his normal form and
vows to take the fight to his tormentors. There is a lot of action
in this book, but the downside is there are also a lot of words
to tell you what you’ve just seen. Granted it is the first
issue of the series, and hopefully as things begin to move forward
there won’t be so much repetition. It’s not that the
story or dialog is bad, it just seems redundant in places. I’m
sure that as this team finds their feet, the chunkiness of this
will smooth out. It will be interesting to see how this team evolves
as story tellers. -KEVIN-
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Bloodhound #9
Publisher:
DC Comics
Writer:
Dan Jolley
Pencils: Eddy
Barrows
Inker: Robin
Riggs
Since this issue is set to end with the next issue, I’m going
to talk it up and make you all feel like you’ve missed something.
This was a series that I picked up randomly, I think it may have
been the Leonard Kirk art from the first issue (I likes his JSA
stuff), and I’ve been reading it since, but much like my other
doomed favorite, Fallen Angel, this title has never really caught
on. Which is too bad; Dan Jolley has done a wonderful job throughout
this series, giving the reader just enough background of Travis
Clevenger and those around him each outing to both add to their
depths but not slow the story down any. He does a great job with
that balancing act. The art has been outstanding through out the
entire run with Eddy Barrows, standing in for Kirk this issue, but
by the time I got half way through, I hardly noticed. This book
has been a treat each month. Clevenger is in the south facing off
against, a usual Batman foe, Zeiss. He was brought to the town by
a rash of mysterious fires, where some people in the town think
it’s the work of the devil while others believe there is something
else at hand. Meanwhile there is a third party racing to find the
cause of the fires and you know that Clevenger is going to get in
his way. Granted, the sales on this title have not been good enough
to keep it going, but I do hope that somewhere down the road DC
sees fit to collect the entire story into a trade for those who
missed it. I also hope that Travis can find his way into the mainstream
DC universe somehow. There must be a place for him somewhere.
-KEVIN-
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Mary Jane: Homecoming #1
Publisher: Marvel
Comics
Writer: Sean
McKeever
Art: Takeshi
Miyazawa
What could be a bigger problem for a girl than to figure out what
to wear for homecoming? Could it be the strong armed father that
thinks his son has been spending too much time with his girlfriend,
letting his grades slip, giving his father ample reason to bar him
from joining her at homecoming? Could it be something as sinister
as a plot hatched by her boyfriend to cheat his way to acing the
next physics exam, so they will be able to go? Could it even be
the rift that seems to have formed between her and her best friend
over jealousy and misunderstanding? Could it…Ok I’m
done with that for now. All these are topics touched upon in the
latest incarnation of the Mary Jane series. I was glad when Marvel
announced it would return as a mini-series with the same creative
team. Now this is definitely not a super hero book, which suits
me fine. Nor is it aimed at my demographic, but I do think it could
be an important book for Marvel and that they should produce more
just like it. It seems that the people reading your typical super
hero books are aging and not a lot of new readers are coming in.
Too much history to follow, or not engaging enough, whatever the
reason may be, the new readers are not looking to spandex for their
“fix”. More and more, manga is where they are looking,
either because of the more stories for their dollar spent or a tendency
for the titles to deal with things that relate to them more; “real
people in real situations”. Yes, I know that none of this
is real, but this is the kind of thing that can hook a new reader.
Give them something they can relate to, and what bigger untapped
pool of readers (I know girls read the funny books also, but not
nearly in the numbers as men) is out there? Present them with something
that they can relate with and if you want to interject a little
bit of the costume world in there for cross-over then do it, but
keep it to a minimum, which is what this book does well. There is
no mistaking where the book takes place and what ties it has to
the “costumes”, but that is not its focus and that to
me is its strength; making it a book that I would gladly hand off
to a new reader and not have to worry about explaining a lot. They
can just read and enjoy, and I hope it’s something that I
hope Marvel continues to do. The only thing that I kind of have
issues with is the price point of the title. If you are truly interested
in getting new people to come on board, why not see if you can keep
it around $2.25 an issue. Parents are more likely to go for that
and give it a chance if it’s up against a bunch of $2.99 books.
Granted this isn’t much of a review on the issue, just more
of a review of what it could stand for. I enjoy reading the book
and the art is inviting enough, it’s not what you would think
to pick up and enjoy (coming from a collector of 20 years), but
it’s fresh and I truly like what it stands for. Hopefully
it works. -KEVIN-
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Samurai: Heaven and Earth #3
Publisher: Dark Horse
Comics
Writer: Ron
Marz
Art: Luke
Ross
I don’t typically read books about Samurais and such, so it
was on a whim that I picked up the first issue of this mini series.
Apparently I liked it enough that I kept picking it up and now we
are into the third issue. The story follows the Shiro as he is looking
for his love, the lady Yoshiko, who was kidnapped and sold to a slave
trader (this is the set up in issues one and two). He follows her
trail which leads him to France where he is confronted with this strange
society, at least to him and three of the king’s Musketeers.
After finally being bested by the trio, he is captured and imprisoned
where he will undoubtedly be left to rot, until an offer is made to
him. It seems that an envoy from Spain, not one of the most favored
placed in France’s eyes, needs a body guard and he was impressed
enough with what he heard about the altercation that he has made an
offer to our Shiro, his freedom in exchange for his services, since
the French don’t seem to care whether Shiro lines or dies, they
allow this to take place. They aren’t going to waste one of
the king’s own guards on the likes of a Spaniard. An agreement
is struck and as it would turn out, the Shiro’s new master comes
to meet the slave trader and is interested in Yoshiko, but she has
already been promised to the king himself, thus setting up the next
issue and the possibility that Shiro may come up against more than
just the Musketeers. The story is very methodological and predictably
paced, there aren’t any real surprises that you can’t
see coming, so it reads rather easily. The thing that has kept me
hooked was the art by Luke Ross. It’s very crisp and clean and
easy to tell who is who. Nice and simple but with plenty of detail,
I know it sounds contradictory, but there isn’t a lot of unnecessary
“clutter” in the panels that take away from the art. All
told, it’s a very easy to follow story that people who do not
usually read this kind of stuff can pick up easily and not have to
worry about being overwhelmed by the whole mythos of the samurai,
since most of this story involves situations outside of those mythos.
-KEVIN-
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Al n'
Ann's Collectibles
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